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India is one of the few countries where people habitually sit on the floor. For this reason the carpet industry in India, has flourished to incorporate a strong local tinge, while preserving the exceedingly stylized along with idealistic Persian Carpets standard. Carpets are an inexpensively significant but minuscule part of the floor covering prevalently used in India.
The Indian carpet weavers tie their knots with immense dexterity, on upright wooden looms of conventional design. Vertical looms are often used in sizes ranging from five to sixty feet, with three to six weavers, at work on each. The strength of a carpet is determined by the number of knots per unit area in amalgamation of the design, colors and the used yarn quality. The thickness, firmness and look of the rear portion of the carpet, are essential considerations.
The Indian namdah, a sort of felt rug, durrie or carpet, is a universal article, essential to daily life. It can be used as a pillow, floor bed, door partition, dining table, wardrobe and a suitcase, while traveling. The Kashmiri namdah is made of layers of compacted wool stuck together with gum derived from natural sources. After being finished, embroidery in woolen yarn is executed.
Rajasthan and Gujarat are also renowned for making namdah that is appliquéd, embroidered or printed. Carpets from the Haryana and Punjab are woven in conventional stripes also with stylized animals, birds and human forms normally used as motifs. In Rajasthan carpets are designed with hunting patterns along with trees and floral motifs too.
Several carpets mingle the discipline of Persian symmetry with a daring contrast of form and color that are typically Indian. In Kashmir, carpet design is guided by Talim, the particular script for weaving carpet. Patterns and designs of carpets in Kashmir are motivated by Central Asian and Persian rugs.
Punjab also uses the talim technique, which owes the expansion of the carpet industry to Maharaja Ranjit Singh, who conquered Kashmir. The principal design here is mouri and the carpets are normally treated with chemical baths for an elevated sheen.
Shahjahanpur in Uttar Pradesh is renowned for luxurious carpets of India. The designs are gorgeous, with geometrical designs in black on a maroon background. Agra, the eminent city of the Taj Mahal, specializes in using silk mixed with woolen yarn. The weavers of the Mirzapur-Badohi belt of carpet manufacturing units in Uttar Pradesh have established their resourcefulness by weaving carpets of basically any design, the old Persian ones, being the most admired.
The carpets of Warangal and Eluru, of Andhra Pradesh have a sturdy flavor of the locality. Weaving of carpet in this Southern state is in general rather crude and loose. Warangal carpets use jute thread and handspun wool for their remarkable designs.
A distinguishing style of carpet weaving prevails in the hilly areas of India, right from Darjeeling (West Bengal) to Leh / Ladakh. In Himachal Pradesh, weaving is made by refugee Tibetans. The carpets of these areas are made of pure wool and have motifs of snow lion, dragon, lotus and stylized chrysanthemum.
Numerous varieties of excellent prayer carpets are made in India. The asana, a square of pile carpet, drugget or durrie material, is crafted in a plain sober color or moderate design. It is customarily used, while performing rituals during the time of worship. Jute carpets, in elaborate Persian designs, are also woven in West Bengal.
The Kota school of painting is a fine pattern of painting of Rajput style. It belongs to the erstwhile Kota kingdom of Rajasthan, it is distinguished for the portrayal of hunting expeditions, battles, marriages and other major political events. It was a merge of Hindu and Muslim style of painting. Opaque water colors were generally used and the themes are habitually related to politics, religion and literature. 
