Bed Covers - Exotic handicrafts of India

The craftsmen of India are persistently occupied to adapt ancient art forms to new-fangled demands. Every now and then they transfigure the very conception of the design method, at the same time as retaining the elderly motifs.

The themes used for creation bed covers are drained from every day aspects of life, geometric, flowers, paisley etc. outlined and in printed with immense talent and concern. The colors are in general gallant and elegant.

The prints, embroidered patterns, yarn dyed designs and solid colors and textures on all the form of weave, from cotton to silk, are done to ornament the bed covers. Hand blocked textiles are used too that reproduce a profound perceptive of color together with effortlessness of form and flawlessness of techniques.

Various experiments in expressions of design, combinations of color, amalgamation of fabrics and additional materials compose the bed covers, absolutely distinctive in a lot of aspects. They marvelously portray a melodious co-existence of current, modern-day and ethnic Indian styles. The attractive bed covers are prepared in a massive amount of fabrics which ranges from cotton, silk, polyester, with dissimilar thread counts. The mixture of prints used to smarten bed covers are tie and dye, sanganer print, batik printing, embossed printing, screen printing, block and leheria (waves) printing.

Glass Paintings - magnificent piece of art of India

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Glass painting / engravings as they are occasionally known characteristically consist of an engraving created on the backside of the glass, and painted from the reverse. The effect is one of stunning clarity and rich color ideally serving as a connoisseur's delight. Glass as a medium of art allows tremendous freedom to express oneself.

Glass painting is a variety of art, which has evolved and gained eminence in the recent past. Glass painting essentially involves painting on dyed glass that miraculously transforms a basic section of unresponsive glass, into a magnificent piece of art. The effects can be augmented if placed under appropriate lighting. The images, varied in subject topic, all exceptional and entity in personality are outlined. They are then tinted using unique paints. Embedding with semi-precious stones, trampled gold leaf or glitter can improve the appearance.

Glass painting is comparable to drawing than painting. The colors have a propensity to be water or gum based and can be useful in a method parallel to the technique watercolors are applied. The paints are typically fired onto the glass with the help of a kiln. The heat generated in the kiln results them to bond everlastingly with the glass. These gorgeous paintings can be prepared to boost the look of showpieces / napkin holders / coasters / cutlery / wall hangings etc. ornamented with a combination of sparkling light; the exquisiteness of glass paintings is par brilliance.

Painting by themes can be classified as:

Mughal / Animal / Bird / Village / Indian Epic / Religious Paintings

Religious Paintings and Indian Art

The ethnicity of India is one of the ancient cultures well-known to humanity. The most charming aspects of Indian art and architecture are the overwhelming influences of folk art and folk idioms. Paintings in India are generally characterized by color, lifestyle and humor.

Indian spiritual along with religious experiences are painted in a high-quality deal the similar way as art in temples, mosques and exemplify animals, rituals, royalties and culture prevailing at that time.

The paintings vibrantly illustrate a variety of forms of Lord Krishna and his dearly loved Radha, Lord Shiva along with Parvati, Goddess Durga, Lord Ganesha or elite depicting of select scenes from the Indian epics like The Ramayana, Mahabaratha etc. The skilled painters make use of both naturally and chemically prepared colors to express the ideas.

Religious paintings are done on a various materials like:

• Glass • Marble • Silk • Paper • Velvet • Wood

Batik Paintings of India

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Murals, paintings, wall hangings, linen of household, and scarves are cherished assets of any household in India. Batik prints of Orissa, West Bengal, and Tamil Nadu are well known for their inventiveness, uniqueness and excellence. Batik is the art of creating imagery on the cotton cloth by the use of wax resist procedure.

Batik factually means wax writing. Not starting a disagreement, the art is as original to India as to Indonesia, Malaysia or Japan. Indians knew the method of Batik about 2000 years back. Rice starches along with resists of wax were used for printing. The technique had misplaced its attractiveness because of tiresome procedures of waxing and dewaxing. It was kept living as a hobby by the upper-class ladies and ultimately revived in the 20th century.

For a batik artist a good sense of colors and patterns is very much desired. Although the motifs used in batik are uncomplicated, information of color gradations and approach to remove wax delicately are required.

Application of the wax resist and methodical cracking are the answer to a stunning art piece. The characteristic batik end product is produced by cracking of wax on the lighter hues and then seeping in of the darker hues though them.

Breast Plate - Crafted in India

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Breast Plate means a plate of metal jacket to cover the breast of the warrior as defensive armor. A fine-looking and rugged armor, breast plates frequently have rounded edges authentic leather straps, solid metal accents and steel buckles. These do not have a metal at its rear and are held in position on the body with the help of four leather straps with buckles. Two of them over the shoulders, two around the waist and two underneath the arm pits.

Breastplates were designed and served in order to protect the warrior's chest, at the same time as the choker that was generally worn with the breastplate for the protection of his neck. The breastplates carried saintly significance.

Apart from their conventional method of crafting, they are at the present time even found in a range of delicate designs and luring patterns making these worth possessing and adding on to one's individual collection of antiques. The various materials used for crafting such treasured items are: Copper / Brass / Steel / Silver / Leather

Gorgeousness of these breast plates are supplementary highlighted with intricate carvings and detailing precisely carried out by dexterous Indian craftsmen. Normally, the look is given a royal and sophisticated appearance with fine embellishments or imprinted with abstract images or other evenly interesting figures such as some of these are etched with certain coat of arms. Breast plates are used as decorative items too particularly when they are ornamented with beads.

Bundi Paintings - Rajasthan , India

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One of the most basic examples of the Bundi Paintings is the Chunar Ragamala painted in the year 1561. The painting showed noticeable influence of the Mughal painting technique. The expansion of the Bundi School in the near the beginning of 17th century is unclear but isolated examples of inventive brilliance reveal the enduring development of Bundi style of painting. The wall paintings from the reign of Rao Ratan Singh (1607-31) are noteworthy examples of Bundi Style. During the reign of Rao Chattar Sal (1631-58) and Bhao Singh (1658-81) Bundi paintings emphasized on the scenes of the court. Themes from the life of lovers, noblesladies and were expansively used in the paintings. Illustrations of Bhagavata, Purana during 1640 are other prominent artworks from this genre. Though Bundi School had close involvement with the Mughal method yet it was never essential to the evolution and expansion of Bundi paintings. From the second half of the 17th century three noteworthy paintings: 1) Dated 1662, of a couple watching the pigeons. 2) From 1682, of a couple in the pavilion. 3) Dated 1689, of lovers viewing a crescent moon. These paintings show the artistic merit of this school. The artisans employed bright, bold colors of style of Rajasthan nevertheless the gracefulness of the Mughal style was not discarded. Hadauti paintings The painting ethnicity in the region of Kota and Bundi situated in south eastern Rajasthan are collectively identified as Hadauti paintings