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One of the most basic examples of the Bundi Paintings is the Chunar Ragamala painted in the year 1561. The painting showed noticeable influence of the Mughal painting technique. The expansion of the Bundi School in the near the beginning of 17th century is unclear but isolated examples of inventive brilliance reveal the enduring development of Bundi style of painting. The wall paintings from the reign of Rao Ratan Singh (1607-31) are noteworthy examples of Bundi Style. During the reign of Rao Chattar Sal (1631-58) and Bhao Singh (1658-81) Bundi paintings emphasized on the scenes of the court. Themes from the life of lovers, noblesladies and were expansively used in the paintings. Illustrations of Bhagavata, Purana during 1640 are other prominent artworks from this genre. Though Bundi School had close involvement with the Mughal method yet it was never essential to the evolution and expansion of Bundi paintings. From the second half of the 17th century three noteworthy paintings: 1) Dated 1662, of a couple watching the pigeons. 2) From 1682, of a couple in the pavilion. 3) Dated 1689, of lovers viewing a crescent moon. These paintings show the artistic merit of this school. The artisans employed bright, bold colors of style of Rajasthan nevertheless the gracefulness of the Mughal style was not discarded. Hadauti paintings The painting ethnicity in the region of Kota and Bundi situated in south eastern Rajasthan are collectively identified as Hadauti paintings